The 100 unique works in adhocc's "untitled 1-100" are not mere images but excavations; shards of forgotten code, fractured visuals, and spectral traces reassembled into intricate, unspoken narratives. Numbered yet untitled, they linger like relics of an unseen world, their forms both familiar and alien.
Each collage is a quiet rebellion, a gesture toward equilibrium in a reality choked by mass-produced artifacts. For every mundane object flooding our existence, adhocc counters with a singular, purposeless act of creation, multiplying the ineffable to drown out the ordinary. "untitled 1-100" is not an invitation but a challenge: to question what endures, and to confront the weight of the unrepeatable in a world that forgets.
